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The Pit and the Pendulum, Part 2


Robert Baldwin, Music Director for the Salt Lake Symphony, Music Director for the Utah Philharmonia, and Director of Orchestral Activities at the University of Utah shares more of his thoughts on the importance of rhythm, meter, and tempo in music. He shares that music is not a perfect mathematical equation and neither is time in a musical piece. There is always ebb and flow. There is always adaptation, especially in live performances.

Before the Downbeat

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I’ll be climbing out of the pit after the last run of Susannah tonight.  It’s been a great experience, and full of potential for the pondering mind.  Inevitability.  Events that lead to something else.  The Grand Finale.  That incessant beat of the clock, metronome, and human heart; counting down to a predestined end.  Is this where we find meaningful rhythm and flow?  Or is it rather a stream into which we we enter, subdivide, and play?   Always present.  Welcoming us to participate.

The problem with the first example, is that it is too clinical, too easy.  In my experience it’s also completely wrong.  The thought that music, creativity, or life itself can be relegated to mere numbers is a popular misconception.  Yes, music is math.  Life is math.  Yes, proportions, ratios and relationships certainly exist.  But as human beings, our lives simply don’t operate this way.  Science is starting to…

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